![](https://manolimoriaty.com/wp-content/uploads/2024/01/2023-Kechagia-Moriaty-jpm_8_cover_rev1-723x1024.jpeg)
Recurring patterns: An ethnographic study on the adoption of AI music tools by practitioners of electroacoustic, contemporary and popular musics
Nina Kehagia & Manoli Moriaty
Journal of Pervasive Media, Volume 8, Issue AI, Augmentation and Art, Aug 2023, p. 51 – 64
![](https://manolimoriaty.com/wp-content/uploads/2024/01/2022-Sykes-Moriaty.jpeg)
DeviceD: Audience–dancer interaction via social media posts and wearable for haptic feedback
Manoli Moriaty & Lucie Sykes
Wearable Technologies, Volume 3, 2022 , e3, Cambridge University Press
![](https://manolimoriaty.com/wp-content/uploads/2024/01/2022-Moriaty-680x1024.jpg)
Interspecific Interactions: Interaction Modes Between Sound and Movement in Collaborative Performance
Manoli Moriaty
Earnshaw, R., Liggett, S., Excell, P., Thalmann, D. (eds) Technology, Design and the Arts – Opportunities and Challenges. Springer Series on Cultural Computing. Springer, Cham. June 2020
![](https://manolimoriaty.com/wp-content/uploads/2024/01/2020-Moriaty-1024x608.png)
Symbiosis: a biological taxonomy for modes of interaction in dance-music collaborations
Manoli Moriaty
Proceedings of the International Conference on New Interfaces for Musical Expression, 551–556
![](https://manolimoriaty.com/wp-content/uploads/2024/01/2016-Moriaty.jpeg)
Unsound Connections: No-Input Synthesis System
Manoli Moriaty
Contemporary Music Review, 35:2, 184-201
Video presentations
Upsetting the Controls: Considering Controllerist Practice in Computer Music Performance
Rethinking the History of Technology-based Music Centre for Research in New Music (CeReNeM) University of Huddersfield, 9-11 June 2022