Manoli Moriaty

Sound Movement Performance

Publications & presentations

Recurring patterns: An ethnographic study on the adoption of AI music tools by practitioners of electroacoustic, contemporary and popular musics

Nina Kehagia & Manoli Moriaty

Journal of Pervasive Media, Volume 8, Issue AI, Augmentation and Art, Aug 2023, p. 51 – 64

https://doi.org/10.1386/jpm_00004_1

DeviceD: Audience–dancer interaction via social media posts and wearable for haptic feedback

Manoli Moriaty & Lucie Sykes

Wearable Technologies, Volume 3, 2022 , e3, Cambridge University Press

https://doi.org/10.1017/wtc.2021.20

Interspecific Interactions: Interaction Modes Between Sound and Movement in Collaborative Performance

Manoli Moriaty

Earnshaw, R., Liggett, S., Excell, P., Thalmann, D. (eds) Technology, Design and the Arts – Opportunities and Challenges. Springer Series on Cultural Computing. Springer, Cham. June 2020

https://doi.org/10.1007/978-3-030-42097-0_8

Symbiosis: a biological taxonomy for modes of interaction in dance-music collaborations

Manoli Moriaty

Proceedings of the International Conference on New Interfaces for Musical Expression, 551–556

https://doi.org/10.5281/zenodo.4813184

Unsound Connections: No-Input Synthesis System

Manoli Moriaty

Contemporary Music Review, 35:2, 184-201 

https://doi.org/10.1080/07494467.2016.1221632


Video presentations

Upsetting the Controls: Considering Controllerist Practice in Computer Music Performance

Rethinking the History of Technology-based Music Centre for Research in New Music (CeReNeM) University of Huddersfield, 9-11 June 2022